In 1966, the groundbreaking exhibition Eccentric Abstraction, held at the Fischbach Gallery, New York, launched the career of Louise Bourgeois, Eva Hesse and Alice Adams. It would profoundly shape the language and legacy of post-war American sculpture. This book returns us to this pivotal moment and, in bringing together these three important artists for the first time since 1966, explores the emergence of a new form of ‘abstract erotic’ sculpture. 
 
Abstract Erotic highlights the erotic and playful aspects of the sculpture of Bourgeois, Hesse and Adams, foregrounding their shared commitment to using abstract form to ask important questions about fluid sexuality, bodies and humour. It brings together a series of internationally recognised scholars of these three artists, presenting new insights into their practice, and its wider relevance to the art of the 1960s until now. And by putting the work of Alice Adams in conversation with the work of established figures Bourgeois and Hesse, it aims to bring her work to the attention of a wider public.